By the second day I was ready to commit suicide though! We were already half a day behind schedule. So unless they’re going to change their personalities entirely it’s pretty cool. But by that time, you’ve gotten to know De Niro and Murray, and been in rehearsals etcetera. McNaughton seems to have taken it in his stride: “You’re always nervous on your first day of shooting, you always think you want to throw up. It was certainly quite a leap for the team to move from Henry, with a $100,000 budget and crew of about five, via several independent pictures, to a big budget Hollywood film with an A-list cast and a crew of seventy. ‘You know, I have this script, it’s a really sweet, a sweet story you know, and there’s this picture, Henry, it’s crazy – let’s get the guy that did this Henry and give him this sweet story and see what happens.’” “Marty had never explained it before but he finally said something. “After Mad Dog was finally released in the US, we did a video press conference with De Niro and Bill Murray and Richard Price and Scorsese,” McNaughton says. But a comedy romance? I asked McNaughton to explain why he was put at the helm of a film without a serial killer or dismembered head in sight. McNaughton had sent Scorsese a tape of Henry, which Scorsese loved, and decided to get McNaughton on board to direct a big feature. “Those of you who haven’t seen it before,” continued Jones, “will be in for a surprise.” The same could be said of watching their latest picture, which they were promoting at the festival, Mad Dog and Glory, starring Robert De Niro, Uma Thurman and Bill Murray, a quirky love story scripted by Richard Price (writer of The Wanderers, and the remake of Night and the City, also with De Niro), and executive produced by none other than Martin Scorsese. “Have a swell time,” McNaughton said with a mischievous grin. Quentin Tarantino, also a guest at the festival, got to meet McNaughton for the first time, and they were able to pat each other on the back for their equally startlingly debut films Tarantino could be heard enthusing about one of the final scenes in Henry, where the eponymous hero meets an old lady walking her dog Delores, a scene which, McNaughton told me later, had in the past prompted some audience members to shout out, “No, not the dog!”ĭuring the festival McNaughton and Jones introduced a special midnight screening of the film. Three decades after it first shocked audiences, John McNaughton's twisted thriller receives a 4K re-release courtesy of Arrow Films.Īs Henry: Portrait of a Serial Killer receives the 4K Ultra HD treatment courtesy of Arrow Videos, here’s a never-before-published interview with director John McNaughton from 1993 by David Hayles.ĭirector John McNaughton and producer Steven A Jones, responsible for the infamous Henry: Portrait of A Serial Killer, were guests of honour at the 1993 Shots in the Dark film festival at the Broadway Cinema in Nottingham, a week of films devoted to the crime and murder genre. The Honeymoon Killers is another film that I regret seeing.“No, not the dog!” – John McNaughton on Henry: Portrait of a Serial Killer This speaks well of the directors skill at scaring movie-goers, but approach with caution please. This film was so powerfully unsettling for me, that I feel a need to warn others of the emotional impact. Some things are so emotionally damaging, that perhaps they should be left alone. I was sorry that I had seen the film, but it was too late to retract the terror that, even today, still remains in my memory. I was really shaken by the horrific realism of this cinematic event. Leaving the theater that day, I honestly felt as though I had actually witnessed several murders. It is possible to "see too much" in this life, and once seen, some sights remain trapped in your head FOREVER short of getting a lobotomy, or being hypnotized. I can count on one hand the films that I have found to be so deeply disturbing, that I later regretted seeing them.This film is among them. I am not easily frightened or upset by movies.
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